Posts Tagged ‘Western’

Music: Architecture, Painting, and Wet Clay

August 27, 2009

By Anjum Altaf 

I have something uncanny to report.

I began this series of posts on music (see here) by describing how puzzled I was by a metaphor used by Goethe (I call architecture frozen music) because I was unable to reconcile that image with the music I was familiar with. It was after many years that I concluded tentatively that Hindustani classical music was better characterized as a painting.

Responses from readers drew us into a discussion of Western classical music of which I have very little knowledge. In order to familiarize myself with the basics I bought, more or less at random, a book titled The NPR Curious Listener’s Guide to Classical Music by Tim Smith (NPR, 2002). (more…)

Music: An Interview with Arpita Chatterjee

August 24, 2009

By Anjum Altaf

In response to the interest in our series on music (see here, here, and here), The South Asian Idea (TSAI) is following up with an interview with Arpita Chatterjee (AC) presently in charge of the Academic Research Department at the prestigious ITC Sangeet Research Academy in Kolkata and thus an ideal person to guide us in our discussions. These are her personal views.

TSAI: We started our series on music with the quote from Goethe: “I call architecture frozen music.” Is this metaphor of “architecture” relevant for Indian classical music? If not, what would be the appropriate metaphor that could help readers visualize Indian classical music? (more…)

An Idiot’s Guide to Music – 3

August 21, 2009

By Anjum Altaf 

In the second post in this series I had proposed looking at the organization of music to see what it revealed about the organization of society. This enquiry was motivated by the very stark differences in the organization of classical music in the Western and Hindustani traditions that are immediately obvious on attending concerts in the two traditions.

I am going to rely almost entirely on the description provided by Yehudi Menuhin in his autobiography Unfinished Journey (Chapter 12) because being a musician he has a deep insight into the subject. Later I will come back to the issues that Menuhin does not address. (more…)

An Idiot’s Guide to Music – 2

August 7, 2009

By Anjum Altaf

Is architecture frozen music?

I asked this question because it consumed many years of my life and in arriving at an answer I discovered things about myself that I now wish to explore because they have a bearing on who we are, where we come from, and how we see the world.

Think back to Macaulay’s child, the babu-in-the-making, desperately looking for architecture in music. Taught only reading, writing and arithmetic (in English) with a polishing of calculus and Fourier transforms, it was natural to assume that music was music was music and it was only a matter of diligent search that would reveal to me the architecture that Goethe had seen.

And so it was a blinding (to an idiot) flash that opened up the possibility that there could be music and there could be music and that the two could differ and therefore the metaphor that applied to one need not apply to the other. (more…)

An Idiot’s Guide to Music – 1

August 2, 2009

By Anjum Altaf

I call architecture frozen music – Goethe

I stumbled upon this quote as a teenager and fell in love with it without understanding it at all, a phenomenon not uncommon as I learnt later when I fell in love with a human being – loving and hating comes so much easier than understanding.

The quote stayed with me for years – stuck in diaries, propped up on desks, hanging from walls, scribbled in notes to people I loved but did not understand – without yielding its mystery. The only thing I can claim credit for is that I did not stop searching for an answer. (more…)