Archive for the ‘Language’ Category

Literature in the Fortress

March 26, 2013

By Hasan Altaf

in The Millions:

ScreenHunter_150 Mar. 26 15.40

From the beginning, there was a hint of the surreal to the recent Lahore Literary Festival, but it was difficult to put my finger on the root of that unsettling emotion, especially given the overall aura of triumph. A response to similar events elsewhere in the region – the most famous in Jaipur; the most rivalry-inducing, for the last four years, in Karachi – the festival seemed its own victory party, a massive and successful gambit in Lahore’s bid to reclaim its title as the “cultural capital” of Pakistan. The excitement had Lahore full of visitors, Mall Road festooned with banners, the Alhamra Arts Council packed with people, and in the middle of all that buzz it seemed almost churlish to have the suspicion that something odd was at work. (more…)

What Can Literature Do?

February 24, 2013

By Hasan Altaf

Interviewing Chinua Achebe – the author of Things Fall Apart, who has become, through the usual process of reduction, a one-man stand-in for Nigerian when not for African literature – for The Paris Review, in 1994, Jerome Brooks noted that the majority of Achebe’s work was in English. He asked about the existence or importance of Igbo translations, and Achebe responded with a story about an Anglican missionary’s attempt to standardize his language’s many dialects:

The way [Archdeacon Dennis] did it was to invite six people from six different dialectal areas. They sat round a table and they took a sentence from the Bible: In the beginning, God created… or whatever. In. What is it in your dialect? And they would take that. The. Yours? Beginning. Yours? And in this way… they created what is called Standard Igbo. (more…)

Learning Urdu

February 21, 2012

By Hannah Green

Everything starts to look like Urdu if you spend enough time staring at Urdu words trying to get them into your head. The script is fluid. Some letters can squiggle tightly or stretch long, sometimes letters stack on top of one another and sometimes they go side by side. It is this fluidity that makes Urdu so enthralling to look at, but also very difficult to learn to read. I’ll find myself squinting at a word in one of the more artistic fonts, wondering if a dot should attach to the loop on its right or the notch on its left.

Of course, the reason that I have these difficulties is that, for me, the language learning process is backward. Someone whose mother tongue is Urdu would have learned the vocabulary before trying to learn to read it, so they’ll know which interpretation of a dot makes a real word and which makes one that doesn’t exist or doesn’t make sense. Urdu writing also only includes about half of vowel sounds, and I ache for the native speaker’s instinct to know what these missing sounds are just by looking at the text. (more…)

The Changing World of Urdu

November 20, 2011

By Anjum Altaf

‘Urdu has changed from the Urdu of Mir and Ghalib but that simply proves it is a living language.’

That was one of the comments I received on earlier posts (here and here) about the past and future of the language. At one level, it is a statement of the obvious – nothing ever stays the same. At another, it invites a host of questions: What is the nature of the change? Who owns the language now? What functions is it serving?

Such questions could be answered by survey of Urdu speakers. A canvassing of urban centers would suffice in Pakistan since Urdu is not a regional language and hence not spoken widely in rural areas. (The situation might differ in India.) An organization like the National Language Authority could design the exercise but is unlikely to do so for any number of reasons. The best we can do for the moment is to rely on personal knowledge to generate longitudinal case studies going back almost a hundred years. (more…)

The Rise and Decline of King’s Urdu

July 29, 2011

By Anjum Altaf

Any discussion of the future of Urdu arouses heated emotions turning swiftly into a test of one’s loyalties. But love of the language should have no bearing on a candid consideration of its prospects. I believe such a consideration is possible and wish to revisit the issue in light of aspects of the language I have been thinking about lately.

As part of the exploration of some aspects of Urdu speech, I have already discussed the rise of King’s Urdu in the courts of the later Mughals where, according to many, it attained its zenith during the reign of Bahadur Shah with whom the dynasty came to an end. Did that event mark a major turning point in the trajectory of Urdu? (more…)

On Some Peculiarities of King’s Urdu

July 28, 2011

By Anjum Altaf

A native Urdu speaker took a class in Portuguese and earned the following evaluation: “You were among the best students in the class but you speak like a robot.” Was it the student or was it Urdu? It is an intriguing thread to follow. The ensuing speculations, by one with no training in linguistics, are recorded in the hope that something of interest about the language might fall out as a result.

There is little doubt that the delivery of what may be termed King’s Urdu (of which, more later) is flat in terms of stresses, inflections and intonations of speech. If tonal languages like Chinese, which rely on variations in pitch to convey meaning, are at one end of the spectrum, then Urdu, which seemingly does away with tonality altogether, must certainly be at the other. (more…)

Cracking Urdu: A Guide for Those Who Know Hindi

June 20, 2011

By Anjum Altaf

I am an Urdu speaker from Pakistan who wrote an account (From Urdu to Hindi, Farsi and Beyond) of an immensely rewarding experience of learning the Devanagari script very quickly. As a result, I have been asked to guide those wishing to cross the divide from the other side. Nothing could be more gratifying and I have decided to devote a separate post to the effort in order to have enough room to indulge myself.

For those who know Hindi, the news is all good. You already know Urdu so there is really nothing to learn. Hindi and Urdu share the same Khari Boli grammar and therefore are the same language from a linguistic perspective. (more…)

From Urdu to Hindi, Farsi and Beyond

June 18, 2011

By Anjum Altaf

As an Urdu speaker, I had always felt it would be simple to learn Hindi and Farsi. The first shares the grammar and much of the essential vocabulary, differing only in script; the second shares the script and a considerable number of words, differing in construction of sentences and manner of speaking. My attempts to transform resolve into results yielded both confirmations and surprises and taught me something about learning, about languages, about our world and about myself.

I had always believed Hindi would be easier to learn than Farsi, but not by much. I felt I could learn Hindi within a month and Farsi within six. My Hindi-speaking friends tried to disabuse me by regularly tossing alien and tough-sounding words in my direction. I kept reminding them that I was fluent in English, yet did not know the meaning of many words. (more…)

Who’s the Fairest of Them All?

March 6, 2011

By Anjum Altaf

In response to a question asking why Faiz Ahmad Faiz was so much more popular then other, clearly ‘better,’ poets, I had argued (here and here) that we should enjoy poets on their own terms and not bother overmuch with ranking them. Comparisons being difficult, I used a metaphor from music to suggest some of the ways in which poets differ – while Faiz could be considered a poet of the vilambit, Ghalib was one of the drut, and it makes as little sense to compare Faiz and Ghalib as it does to compare a vilambit to a drut.

I am aware that the argument can be pushed: Can we not compare poets of the vilambit or of the drut to elucidate what might be involved in such comparisons? (more…)

Love’s Labor Lost?

February 7, 2011

By Anjum Altaf

In a recent article (The Music of Poetry), I argued that it didn’t make sense to ask if one poet was greater than another. The musical metaphor I attempted proved to be the undoing of the piece; perhaps I should have tried a different metaphor – it would be silly, for example, to ask if Tendulkar is “greater” than Muralitharan, though both are cricketers. The reason is obvious, the one being a batsman and the other a bowler. My conclusion was simply that we should place less emphasis on “greatness,” however defined, and focus instead on the pleasure that comes from a given work.

The use of a cricketing metaphor, however, adds another point to the argument. In cricket, statistics are available for comparison in a way impossible for poetry or music, but even then the matter is not as simple as it seems. (more…)


Follow

Get every new post delivered to your Inbox.

Join 160 other followers